One of the most distinguishable features of African-American (Black) literature, in general, is the fact that it often deals with the unsightly realities of life, which in turn endows the associated literary works with the clearly defined humanist sounding. In this paper, I explore the validity of the above-stated at length, in regards to the short stories Sonny’s blues (James Baldwin), Miss Cynthie (Rudolph Fisher), In the cutting of a drink (Ama Ata Aidoo), Emente (Onuora Ossie Enekwe), Ravenna (Gale Jones) and The point of no return (Miriam Tlali).
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